In a previous blog (link) I made mention of the word 'Harmony' coupled with 'Empathy' in the context of my Emptiness Compass.
I'd like to extend my thinking a little more on what this word means for me and more importantly the how and why I promote it as way of guiding actors to a deeper understanding of self, others and environment.
The image of a butterfly moving against the wind comes to mind. The butterfly isn't fighting the breeze but yet is moving forward. Or a sail boat working in sync with the cross breeze and yet moving forward. The harnessing of energy for a greater good.
Aikido use the a great word - blending and sometimes; musubi - a form of unity. Great ways to conceptualise what is needed from a task at hand being explored when both Uke (attacker) and Nage (the one exploring the technique) need to harmonise to ensure the task will breed a successful application and understanding of a technique.
The Uke must attack with truth. It is the only way for Nage to truly get a grasp on what is to be explored. A careful act of listening on both parties especially the Nage who is utilising subtlety and responsiveness. The sensitivity required will allow Nage to responds according to any slight variations of the attack and thus be listening to the moment.
This approach to training always struck me as a possible useful tool for actors to explore the physical world of their craft. I think harmony as a noun is a tricky way to visualise what I’m referring to. However when used as a verb; to harmonise. I think then it can be an action word and thus a stronger word for actors to enact in their work.
By generating exercises that promote
a collective focus both actors must work in harmony to get results. By generating exercises that facilitate a feeder and a receiver (Uke & Nage), it enlists an honesty and drives actors away from performing martial arts but rather asks of them to explore the truth of a technique and be present. Not to over play any one moment over another and to truly honour the value of a specific movement.
Put simply: to guide actors to focus on the other.