never fight a clown...

Sunday, October 28, 2018

radius & ulna

The relationship between sword and forearm is a wonderous example of the body moving in harmony with an object that was well designed. If you think a little deeper about the design of both sword and forearm there is a fantastic correlation to be had between the edges of the weapon and the bones within the forearm.
When I am manipulating a sword either cutting, thrusting, parrying, or even just freely moving the sword through space. I try to imagine the way the radius and ulna move. To be specific the way in which the false edge moves with the radius and in turn how the ulna moves with the true edge of the sword.
By visualising this relationship, I enhance my ability to move in synchronization with the blade and more over the way in which it may have been designed. In turn I am extending my intention through the whole sword. From thought, through my centre to the tip of the sword.
The amazing design of the forearm in terms of its ability to pronate and supinate allows for such a great range of movement. The combination and use of my thumb, pointer finger and middle to pinkie finger provide an interface with the hilt of the sword to gain control of the blade. With practice I can combine specific placements my fingers to advance the best performance of the blade regardless of the hilt shape i.e. swept hilt, sabre hilt or a simple cross guard.
The more the actor gains (literal) inside knowledge of the anatomical function of this process the more they will gain control of the sword being manipulate in their hands.  I would even go so far as to say any prop being wielded by an actor could benefit from this greater understanding.
To be continued…

don't give up your centre

Spiritually and combatively if we give up our centre we are undone. When you lean on some thing or some one how much do you give away your centre? 

When you lean on a balcony to take in view do you give all your weight over to the balcony? If the balcony gave way you would fall. It would be advantageous to take agency over our centre so we don’t fall over or get hurt.

Whether performing stage combat or doing movement of any form that requires shared body weight. It is important that we don’t give up our centre. Maintaining your own balance is integral so if you give away your centre it will be even harder to maintain balance. 

Combatively speaking your opponent will often be attempting to take your centre away form you so if you give it up you’ve done a lot of their work for them. So it would behove us in the replication of combat to not give away our centre. 

I have a maxim: "don’t compromise your own structure to get what you want." In simple terms I mean if you allow you own centre to operate away from your base without any care you will be placing yourself in danger. To be specific: danger of falling probably.